<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments for ICG Magazine / Showcasing the members of the International Cinematographers Guild</title>
	<atom:link href="http://www.icgmagazine.com/wordpress/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.icgmagazine.com/wordpress</link>
	<description>Showcasing the members of the International Cinematographers Guild</description>
	<lastBuildDate>Sat, 19 Nov 2011 01:34:32 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.4</generator>
	<item>
		<title>Comment on Unity Series Part II: Production Design by A Spirited Q &#38; A With &#8220;Winter&#8217;s Bone&#8221; Cinematographer Michael McDonough &#8211; IFC &#124; Photography tricks</title>
		<link>http://www.icgmagazine.com/wordpress/2011/04/01/unity-series-part-ii-production-design/#comment-1306</link>
		<dc:creator>A Spirited Q &#38; A With &#8220;Winter&#8217;s Bone&#8221; Cinematographer Michael McDonough &#8211; IFC &#124; Photography tricks</dc:creator>
		<pubDate>Sat, 19 Nov 2011 01:34:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1348#comment-1306</guid>
		<description>[...] photography, ...and more&#160;&#187;&#013;&#013;View full post on photography equipment - Google NewsIFCA Spirited Q &amp; A With &quot;Winter&#039;s Bone&quot; Cinematographer Michael McDonoughIFCThere...hp&quot;&gt;IFCA Spirited Q &amp; A With &quot;Winter&#039;s Bone&quot; Cinematographer Michael [...]</description>
		<content:encoded><![CDATA[<p>[...] photography, &#8230;and more&nbsp;&raquo;&#013;&#013;View full post on photography equipment &#8211; Google NewsIFCA Spirited Q &amp; A With &quot;Winter&#039;s Bone&quot; Cinematographer Michael McDonoughIFCThere&#8230;hp&quot;&gt;IFCA Spirited Q &amp; A With &quot;Winter&#039;s Bone&quot; Cinematographer Michael [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The Steadicam – “The biggest thing since Technicolor” by Final Countdown</title>
		<link>http://www.icgmagazine.com/wordpress/2008/07/18/stead-as-she-goes/#comment-1295</link>
		<dc:creator>Final Countdown</dc:creator>
		<pubDate>Tue, 18 Oct 2011 00:38:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=280#comment-1295</guid>
		<description>&lt;strong&gt;2011...&lt;/strong&gt;

I&#039;m very happy to read this. This is the type of manual that needs to be given and not the random misinformation that is at the other blogs. Appreciate your sharing this best doc....</description>
		<content:encoded><![CDATA[<p><strong>2011&#8230;</strong></p>
<p>I&#8217;m very happy to read this. This is the type of manual that needs to be given and not the random misinformation that is at the other blogs. Appreciate your sharing this best doc&#8230;.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tunnel Vision by Tunnel Vision &#171; AMC News-Blog</title>
		<link>http://www.icgmagazine.com/wordpress/2011/07/22/tunnel-vision/#comment-1294</link>
		<dc:creator>Tunnel Vision &#171; AMC News-Blog</dc:creator>
		<pubDate>Mon, 10 Oct 2011 12:31:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1521#comment-1294</guid>
		<description>[...] humans would run (or swim) away from? And with the presence of mind to focus, light and frame, as Mother Nature bears down with her most intense watery [...]</description>
		<content:encoded><![CDATA[<p>[...] humans would run (or swim) away from? And with the presence of mind to focus, light and frame, as Mother Nature bears down with her most intense watery [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Raging Bulls by Behind the Scenes of Reel Steel: Managing and Creating the CGI Robots &#124; Pro Digital Group -- Professional Video Production Services</title>
		<link>http://www.icgmagazine.com/wordpress/2011/10/03/raging-bulls/#comment-1293</link>
		<dc:creator>Behind the Scenes of Reel Steel: Managing and Creating the CGI Robots &#124; Pro Digital Group -- Professional Video Production Services</dc:creator>
		<pubDate>Sun, 09 Oct 2011 19:13:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1709#comment-1293</guid>
		<description>[...] Bringing in a VFX-heavy feature for $80 million is no mean feat, and Josh McLaglen, a veteran of the some of the most complex logistical films in recent memory, points to the unique workflow as a big part of that process. “If you’ve got two ordinary people talking over coffee or even fighting each other for most of your movie, our production paradigm is unnecessary,” he concludes. “But if two of the four main characters are paranormal, it makes really good sense, and is a cost-effective methodology for budgeting complex films. Avatar was translated virtual-to-virtual, only rarely with humans being interactive. But this one is going virtual-to-live-action in the real world. To accomplish that, I think we used the tools better this time.” (ICGMAG) [...]</description>
		<content:encoded><![CDATA[<p>[...] Bringing in a VFX-heavy feature for $80 million is no mean feat, and Josh McLaglen, a veteran of the some of the most complex logistical films in recent memory, points to the unique workflow as a big part of that process. “If you’ve got two ordinary people talking over coffee or even fighting each other for most of your movie, our production paradigm is unnecessary,” he concludes. “But if two of the four main characters are paranormal, it makes really good sense, and is a cost-effective methodology for budgeting complex films. Avatar was translated virtual-to-virtual, only rarely with humans being interactive. But this one is going virtual-to-live-action in the real world. To accomplish that, I think we used the tools better this time.” (ICGMAG) [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Chasing Tale by Tale Chasers : ICG Magazine / Showcasing the members of the &#8230; &#124; Fantasy Film / Fantasy Film News</title>
		<link>http://www.icgmagazine.com/wordpress/2011/09/01/tale-chasers/#comment-1276</link>
		<dc:creator>Tale Chasers : ICG Magazine / Showcasing the members of the &#8230; &#124; Fantasy Film / Fantasy Film News</dc:creator>
		<pubDate>Fri, 02 Sep 2011 03:26:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1595#comment-1276</guid>
		<description>[...] is the original post: Tale Chasers : ICG Magazine / Showcasing the members of the &#8230;   Tags: clubs, historical-account, imagine-television, nbc, playboy, playboy-club, somehow-eluded, [...]</description>
		<content:encoded><![CDATA[<p>[...] is the original post: Tale Chasers : ICG Magazine / Showcasing the members of the &#8230;   Tags: clubs, historical-account, imagine-television, nbc, playboy, playboy-club, somehow-eluded, [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tunnel Vision by Why the world’s best water cameramen still shoot on film &#124; ASPECT:RATIOS NEWS</title>
		<link>http://www.icgmagazine.com/wordpress/2011/07/22/tunnel-vision/#comment-1246</link>
		<dc:creator>Why the world’s best water cameramen still shoot on film &#124; ASPECT:RATIOS NEWS</dc:creator>
		<pubDate>Mon, 15 Aug 2011 03:08:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1521#comment-1246</guid>
		<description>[...] compact digital cine cameras and as the stick anywhere GoPro micro HD cameras. Check it out here on ICG [...]</description>
		<content:encoded><![CDATA[<p>[...] compact digital cine cameras and as the stick anywhere GoPro micro HD cameras. Check it out here on ICG [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Mississippi Queen by Stephen Goldblatt DP mixes it up in Mississippi for &#8216;The Help&#8217; &#124; green kit</title>
		<link>http://www.icgmagazine.com/wordpress/2011/08/03/mississippi-queen/#comment-1245</link>
		<dc:creator>Stephen Goldblatt DP mixes it up in Mississippi for &#8216;The Help&#8217; &#124; green kit</dc:creator>
		<pubDate>Mon, 08 Aug 2011 11:10:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1546#comment-1245</guid>
		<description>[...] to be using photographic techniques associated with a period more than 50 years later.&#8217; But he explains how new rigging equipment came in handy for a tricky interior shot, which turned into one of his [...]</description>
		<content:encoded><![CDATA[<p>[...] to be using photographic techniques associated with a period more than 50 years later.&#8217; But he explains how new rigging equipment came in handy for a tricky interior shot, which turned into one of his [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Mississippi Queen by Stephen Goldblatt DP mixes it up in Mississippi for &#8216;The Help&#8217; &#124; green kit</title>
		<link>http://www.icgmagazine.com/wordpress/2011/08/03/mississippi-queen/#comment-1244</link>
		<dc:creator>Stephen Goldblatt DP mixes it up in Mississippi for &#8216;The Help&#8217; &#124; green kit</dc:creator>
		<pubDate>Mon, 08 Aug 2011 11:03:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1546#comment-1244</guid>
		<description>[...] challenges he faced when shooting the 1963 story &#8216;The Help&#8217; in rainy Mississipi with ICG Magazine. The film, released in the UK October 28 2011, is demanded period detail in every aspect. Goldblatt [...]</description>
		<content:encoded><![CDATA[<p>[...] challenges he faced when shooting the 1963 story &#8216;The Help&#8217; in rainy Mississipi with ICG Magazine. The film, released in the UK October 28 2011, is demanded period detail in every aspect. Goldblatt [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Sights Unseen by The Film Stage : New &#8216;Tree of Life&#8217; Clip Features Brad Pitt In &#8216;Fight Club&#8217; Mode</title>
		<link>http://www.icgmagazine.com/wordpress/2011/05/11/sights-unseen/#comment-1242</link>
		<dc:creator>The Film Stage : New &#8216;Tree of Life&#8217; Clip Features Brad Pitt In &#8216;Fight Club&#8217; Mode</dc:creator>
		<pubDate>Thu, 28 Jul 2011 02:05:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1435#comment-1242</guid>
		<description>[...] ICG Magazine has posted one of the most fascinating interviews I&#8217;ve read tied to the film. They&#8217;ve interviewed cinematographer Emmanuel Lubezki below and I&#8217;ve picked out some choice quotes but I encourage you to read the highly technical article here. [...]</description>
		<content:encoded><![CDATA[<p>[...] ICG Magazine has posted one of the most fascinating interviews I&#8217;ve read tied to the film. They&#8217;ve interviewed cinematographer Emmanuel Lubezki below and I&#8217;ve picked out some choice quotes but I encourage you to read the highly technical article here. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Unity Series Part II: Production Design by Production Design &#171; AMC News-Blog</title>
		<link>http://www.icgmagazine.com/wordpress/2011/04/01/unity-series-part-ii-production-design/#comment-1232</link>
		<dc:creator>Production Design &#171; AMC News-Blog</dc:creator>
		<pubDate>Mon, 18 Jul 2011 12:33:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.icgmagazine.com/wordpress/?p=1348#comment-1232</guid>
		<description>[...] ICG Magazine [...]</description>
		<content:encoded><![CDATA[<p>[...] ICG Magazine [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

