editor

Trigger Happy

Thanks to the steady hand of Local 600 Director of Photography Arnaud Potier, AFC, and his Kentucky-based camera team, Dead…

10 months ago

Paradise Lost

How do you visualize California’s most horrific wildfire as a narrative feature? With an experienced Local 600 camera team and…

10 months ago

Hungry Heart

Masanobu Takayanagi, ASC, and his ICG camera team bring the raw musical intensity of Nebraska to life in Springsteen: Deliver…

12 months ago

Pas de Deux

Étoile captures the raw elegance of ballet with long takes, handmade rigs, and a crew that moves as one. The…

1 year ago

On The Floor

America's leading tech conferences – HPA, NAB, and Cine Gear – served up an enticing mix of new technology, while…

1 year ago

Spring Breakers

Netflix’s episodic reimagining of the 1981 feature, The Four Seasons, is packed with comedy talent – and plenty of expertise…

1 year ago

Hollywood Babble-On

Director of Photography Adam Newport-Berra and his L.A.-based camera team help fast-track Apple TV+'s hit comedy The Studio through filmland’s…

1 year ago

A Life In Print

ICG Magazine says farewell to its staff writer, and the longest-running employee of Local 600's national team, Pauline B. Rogers…

2 years ago

Feels Like The First Time

This year's festival is filled with debut Sundancers, many of whom are also first-time filmmakers who leaned heavily on their…

2 years ago

The Blind Side

FX's newest anthology series is a tough, compelling watch that says as much about the ruthless industrialization of American sports…

2 years ago

Refuse to Lose

Kira Kelly, ASC, hits the hardwood for Writer/Director Sydney Freeland's personal tale of hooping life on the reservation. by David…

2 years ago

Hot Time in the ATL

Directors of Photography Joe “Jody” Williams and Michael Watson mix 16mm Ektachrome with 8K digital capture for the period sports/crime…

2 years ago