Oscar-winner Erik Messerschmidt, ASC, draws a bead on the mind of an assassin in David Fincher’s The Killer by Kevin Martin…
The 2023 class of ECA honorees has a lot to say about how A.I. (and other new technologies) will impact…
Nicolas Cage "leaves" Las Vegas in a big way, thanks to ICG Director of Photography Steve Holleran and his facility…
In-person gatherings of HPA and NAB 2023 confirm the industry's technology footprint has touched back down with hefty numbers and…
The 60th Annual Publicists Awards "gives back" love and recognition to the union members who have given everything to their…
Sporting a distinctive visual aesthetic established by Guild Director of Photography Jay Hunter, NBC's American Auto roars off in high…
Guild Lighting Designer Tom Sutherland on crafting the look for Nicki Minaj's 2022 VMA performance. by Pauline Rogers / Photos…
Sitcom specialists talk about how much the genre has changed in recent years. by Pauline Rogers When Donald A.…
With COVID (hopefully) in the rear-view mirror, the only awards event devoted to new cinematographers returns to an in-person gathering. …
Andrew Dominik waited 14 years to get Blonde made; his new Netflix feature, shot by Chayse Irvin ASC, CSC, renders Hollywood's…