1.0ICG Magazinehttps://www.icgmagazine.com/webeditorhttps://www.icgmagazine.com/web/author/editor/rich600338<blockquote class="wp-embedded-content" data-secret="hMwpSEFIML"><a href="https://www.icgmagazine.com/web/a-new-hope/">A New Hope</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.icgmagazine.com/web/a-new-hope/embed/#?secret=hMwpSEFIML" width="600" height="338" title="“A New Hope” — ICG Magazine" data-secret="hMwpSEFIML" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.icgmagazine.com/web/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://www.icgmagazine.com/web/wp-content/uploads/2020/02/mando_header-1.jpg1400900On-set VFX makes a mighty return via the use of LED wall imagery on The Mandalorian, the first Star Wars live-action series for television.  by Kevin H. Martin / Photos by Francois Duhamel, SMPSP & Melinda Sue Gordon, SMPSP   While working on the Star Wars film Rogue One, director of photography Greig Fraser, ACS, ASC, proposed shooting cockpit scenes using an LED screen that displayed the exterior space environments. When implemented, the process would allow the cinematographer to capture in-camera interactive light and reflection effects […]