1.0ICG Magazinehttps://www.icgmagazine.com/webEDITORhttps://www.icgmagazine.com/web/author/adminwes/Large and in Charge - ICG Magazinerich600338<blockquote class="wp-embedded-content" data-secret="kUlCL58CSk"><a href="https://www.icgmagazine.com/web/large-and-in-charge/">Large and in Charge</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.icgmagazine.com/web/large-and-in-charge/embed/#?secret=kUlCL58CSk" width="600" height="338" title="“Large and in Charge” — ICG Magazine" data-secret="kUlCL58CSk" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://www.icgmagazine.com/web/wp-content/uploads/2017/02/kongheader.jpg1400913Larry Fong, ASC, pulls some sleight-of-hand visual magic for the latest incarnation of Kong, the great ape. It’s hard to find a more enduring (and misunderstood) movie monster than the great gorilla, Kong, who made his debut in Merian C. Cooper’s 1933 self-titled feature and has reappeared on the big screen twice since (by Dino De Laurentiis in 1975 and again by Peter Jackson in 2005). Visual effects have been key to Kong’s legacy since Willis O’Brien’s stop-motion magic first […]