1.0ICG Magazinehttps://www.icgmagazine.com/webEDITORhttps://www.icgmagazine.com/web/author/adminwes/rich600338<blockquote class="wp-embedded-content" data-secret="e9SIGjNkd1"><a href="https://www.icgmagazine.com/web/shooting-gallery-2009/">Shooting Gallery 2009</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.icgmagazine.com/web/shooting-gallery-2009/embed/#?secret=e9SIGjNkd1" width="600" height="338" title="“Shooting Gallery 2009” — ICG Magazine" data-secret="e9SIGjNkd1" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.icgmagazine.com/web/wp-includes/js/wp-embed.min.js /* ]]> */ </script> All photographs, by definition, are “period” images. They capture a time and place that is ephemeral, and, in essence, gone the moment the shutter is snapped. Never again will what that shooter saw through the frame be exactly the way it was when he or she pushed the button on the camera. The same can be said for unit stills captured on period movies; even if the production has the ability to re-create a place, a time, a feeling over […]http://www.icgmagazine.com/wordpress/wp-content/images/gallery09/shootingheader.jpg