{"version":"1.0","provider_name":"ICG Magazine","provider_url":"https:\/\/www.icgmagazine.com\/web","author_name":"EDITOR","author_url":"https:\/\/www.icgmagazine.com\/web\/author\/adminwes\/","title":"Pierre \u201cPete\u201d Routhier \u2013 Technicolor 3D - ICG Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0m6pEqCeLJ\"><a href=\"https:\/\/www.icgmagazine.com\/web\/exposure-pierre-pete-routhier\/\">Pierre \u201cPete\u201d Routhier \u2013 Technicolor 3D<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.icgmagazine.com\/web\/exposure-pierre-pete-routhier\/embed\/#?secret=0m6pEqCeLJ\" width=\"600\" height=\"338\" title=\"&#8220;Pierre \u201cPete\u201d Routhier \u2013 Technicolor 3D&#8221; &#8212; ICG Magazine\" data-secret=\"0m6pEqCeLJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.icgmagazine.com\/web\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.icgmagazine.com\/web\/wp-content\/uploads\/2012\/03\/2011_03.jpg","thumbnail_width":1200,"thumbnail_height":675,"description":"Suffering from edge mismatch or partial reverse stereo? Seeing indications of hyperconvergence or hyperdivergence? If so, you\u2019ve experienced one or more of the 15 key issues \u2013 some taking place during shooting, others occurring in post \u2013 that can be encountered during the making of a 3D stereoscopic film. Technicolor\u2019s Pierre \u201cPete\u201d Routhier, vice president, 3D product strategy and development, has spent the last decade dealing with these issues and devising appropriate strategies to address them. Formerly a United Technologies [&hellip;]"}