{"version":"1.0","provider_name":"ICG Magazine","provider_url":"https:\/\/www.icgmagazine.com\/web","author_name":"EDITOR","author_url":"https:\/\/www.icgmagazine.com\/web\/author\/adminwes\/","title":"Rian Johnson \u2013 Looper - ICG Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ERNDxd8gu2\"><a href=\"https:\/\/www.icgmagazine.com\/web\/exposure-rian-johnson\/\">Rian Johnson \u2013 Looper<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.icgmagazine.com\/web\/exposure-rian-johnson\/embed\/#?secret=ERNDxd8gu2\" width=\"600\" height=\"338\" title=\"&#8220;Rian Johnson \u2013 Looper&#8221; &#8212; ICG Magazine\" data-secret=\"ERNDxd8gu2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.icgmagazine.com\/web\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.icgmagazine.com\/web\/wp-content\/uploads\/2012\/10\/oct2012rian.jpg","thumbnail_width":1200,"thumbnail_height":831,"description":"Writer\/director Rian Johnson\u2019s newest film, Looper, was one of the most talked-about fall releases before summer even began. Now that\u2019s it out, critics say it looks, sounds, and feels like nothing Hollywood\u2019s ever produced in the notoriously dead-brained sci-fi genre. So what\u2019s Johnson\u2019s secret? He writes his own material for one, and he\u2019s worked closely with the same cinematographer, Guild member Steve Yedlin, since film school. Looper, which poses the unique metaphysical conundrum &#8211; can a paid executioner carry out [&hellip;]"}