{"id":6290,"date":"2016-05-31T18:05:21","date_gmt":"2016-05-31T18:05:21","guid":{"rendered":"http:\/\/www.icgmagazine.com\/web\/?p=6290"},"modified":"2016-05-31T19:11:02","modified_gmt":"2016-05-31T19:11:02","slug":"book-review","status":"publish","type":"post","link":"https:\/\/www.icgmagazine.com\/web\/book-review\/","title":{"rendered":"Book Review"},"content":{"rendered":"

A Single Frame. By<\/em>\u00a0Pauline Rogers.\u00a0All Images from A Single Frame \/ Courtesy of SMPSP. Main Image:\u00a0Colin Firth during a break while shooting\u00a0The Single Man<\/em>\u00a0in South Pasadena, CA (2009) \/ Photo by Melissa Moseley.<\/p>\n

\"Book-Review_1\"
Construction Shop from Jaws, circa 1978 \/Photo by Anthony Friedkin<\/figcaption><\/figure>\n

It\u2019s their third book and it\u2019s big, bold and beautiful, as it should be. This hard-cover coffee-table volume, celebrating the 20th<\/sup> Anniversary of the non-profit Society of Motion Picture Still Photographers (SMPSP), shows the enormous talent and creativity it takes to capture that \u201cmagic still frame\u201d that may very well become the global face of a cinema or television franchise.<\/p>\n

\u201cCreating a single image that evokes the spirit of a two-hour movie from more than 170,000 frames is a daunting challenge,\u201d shares John Bailey, ASC, in his introductory essay for A Single Frame<\/em>. \u201cMotion picture still photographers embrace that challenge. In fact, the movie we viewers imagine in our mind\u2019s eye is often of a photograph that\u2019s not even in the movie. Many of the most recognizable photographs of movie stars, still in costume for their roles, are created off set, sometimes in elaborate staged environments crated by movie still photographers.\u201d<\/p>\n

\"Book-Review_2\"
Crew members on Deck the Halls (2006) \/ Photo by David Strick<\/figcaption><\/figure>\n

Bailey goes on to write how \u201cbarren our sense of film history would be without the dedicated work of these men and women who, even between setups, and while the rest of the crew is standing around waiting for the actors to appear on set, are always looking for that revealing moment, a gesture or a fleeting exchange that might yield deeper insight to the filmmaking process.\u201d<\/p>\n

One can only wonder how the book\u2019s committee of unit photographers \u2013\u00a0Suzanne Hanover, Melissa Moseley, Nicola Goode, Martha Winterhalter and Phil Bray \u2013 made their selections. They culled through five entries from each member to make A Single Frame <\/em>a reluctant page-turner. And the book begs readers to take their time, drinking in film history with each passing page. The committee\u2019s mission was to find images that might not have made the cut for Hollywood\u2019s publicity machine, or were never intended for mass consumption, but said something to each photographer.<\/p>\n

\"Book-Review_3\"
Christoph Waltz on Water for Elephants (2011) \/ Photo by David James<\/figcaption><\/figure>\n

Hanover says that \u201cpart of the fun\u201d was putting photos next to each other to see how they looked together. They found images that had a sense of humor in David Strick\u2019s plate from Deck the Halls<\/em> that broke the fourth wall by including crewmembers \u2013 reality versus unreality. And they found iconic images, like Ralph Nelson\u2019s photo of Sharon Stone from Basic Instinct<\/em> or Peter Sorel\u2019s Dick Tracy<\/em>.<\/p>\n

\"Book-Review_4\"
Gene Kelly, Fred Astaire and Liza Minelli on MGM lot, circa 1974 \/ Photo by Wynn Hammer<\/figcaption><\/figure>\n

Readers who weren\u2019t around Hollywood in the 1960\u2019s and 70\u2019s will likely linger on images of stars like Gene Kelly, Fred Astaire and Liza Minnelli casually strolling across the MGM lot in 1974 (Wynn Hammer), or the iconic publicity still of Dustin Hoffman and Anne Bancroft from The Graduat<\/em>e (1967), shot by Bob Willoughby. Then there is the mixture of past and present that Melissa Moseley caught in 2008\u00a0 \u2013 an image of Colin Firth, taking a break from shooting A Single Man<\/em>, as he walks in front of a Psycho<\/em> mural. Or the behind-the-scenes moments \u2013 like Anthony Friedkin\u2019s surreal construction shop photograph of \u201cBruce\u201d from Jaws<\/em>, circa 1978.<\/p>\n

\"Book-Review_5\"
Publicity Still for Dick Tracy (1990) Warren Beatty as “Dick Tracy” and Madonna as “Breathless Mahoney” \/ Photo by Peter Sorel<\/figcaption><\/figure>\n

It was a labor of love for the Guild photographers who submitted images. Merrick Morton wanted to show the people who made things happen behind the scenes in one-on-one relationships with the subjects, and his image of Brando says it all.<\/p>\n

\"Book-Review_6\"
Portrait of Marlon Brando by Merrick Morton<\/figcaption><\/figure>\n

David James, on the other hand, chose a chance moment for which photographers aren\u2019t often looking but are grateful for finding, like Christoph Waltz with the pachyderm from Water For Elephants<\/em>. James remembers telling Waltz: \u201cDon\u2019t stroke her, lean against her,\u201d and Waltz did, creating a once-in-a-lifetime moment for star and shooter.<\/p>\n

In the book\u2019s Forward, Wes Craven quotes Vladimir Horowitz. \u201cPlaying the piano is a combination of brain, heart and means. All three must be even. If one falls short of the others, the music suffers. Without brains, you are a fiasco. Without means, you are an amateur. Without heart you are a machine. It has its dangers, this occupation.\u201d<\/p>\n

\"Book-Review_7\"
Iconic publicity still from The Graduate (1967) \/ Photo by Bob Willoughby<\/figcaption><\/figure>\n

Craven describes the \u201cbrains, heart and technique, all in balance,\u201d that comprise the set photographer\u2019s craft. \u201cGet great shots, and all the while remain invisible. No small feat,\u201d he writes.<\/p>\n

\"Book-Review_8\"
Sharon Stone in “the pose that rocked the world” \/ Basic Instinct (1992) \/ Photo by Ralph Nelson<\/figcaption><\/figure>\n

Likewise, this book was no small feat. ICG congratulates SMPSP members (all of whom are also Guild members) for providing a window into that balance and creativity that make the unit photographer so vital to this industry. Keep working on archival preservation of historically and culturally important stills. Keep serving as a forum for exchanging ideas and the ever-changing issues facing still photographers today. And, please, put together another book to showcase even more of this time-honored film craft.<\/p>\n

\"Book-Review_9\"
Cover of SMPSP\u2019s A Single Frame<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

A Single Frame. By\u00a0Pauline Rogers.\u00a0All Images from A Single Frame \/ Courtesy of SMPSP. Main Image:\u00a0Colin Firth during a break while shooting\u00a0The Single Man\u00a0in South Pasadena, CA (2009) \/ Photo by Melissa Moseley. It\u2019s their third book and it\u2019s big, bold and beautiful, as it should be. This hard-cover coffee-table volume, celebrating the 20th Anniversary of the non-profit Society of Motion Picture Still Photographers (SMPSP), shows the enormous talent and creativity it takes to capture that \u201cmagic still frame\u201d that […]<\/p>\n","protected":false},"author":1,"featured_media":6300,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,10],"tags":[],"class_list":["post-6290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-web-exclusive"],"acf":[],"yoast_head":"\nBook Review - ICG Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.icgmagazine.com\/web\/book-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Book Review - ICG Magazine\" \/>\n<meta property=\"og:description\" content=\"A Single Frame. By\u00a0Pauline Rogers.\u00a0All Images from A Single Frame \/ Courtesy of SMPSP. Main Image:\u00a0Colin Firth during a break while shooting\u00a0The Single Man\u00a0in South Pasadena, CA (2009) \/ Photo by Melissa Moseley. It\u2019s their third book and it\u2019s big, bold and beautiful, as it should be. 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