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Bare Necessities

Avatar meets Rudyard Kipling as Bill Pope, ASC, takes a romp through the high-tech jungle in the classic children's tale When cinematographer Bill Pope, ASC, first met with Jon Favreau to discuss the filmmaker’s latest project for Disney, a new adaptation...
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Fire on High

Claudio Miranda, ASC, exploits real-world locales for Destiny’s planet-hopping video-game series When a trio of tough-talking, space suited soldiers turn up armed and dangerous on three neighboring planets in rapid succession, it doesn’t take a big leap...
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CREW PHOTO: The Blacklist Season 3

The Blacklist Season 3 Camera Crew: L to R John Moustakas (B Dolly Grip) Gregor Tavenner (C Camera Operator) Michelle Sun (B Camera 1st AC) Trevor Wolfson (Loader) Saade Mustafa (B Camera Operator) Sarah Hendrick (B Camera 2nd AC) Hollis Meminger (A...
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CREW PHOTO: Up Late With Miss Piggy

Left to Right: Joe Solari:  “A” Camera 2nd AC Doug Blagg: “B” Camera Dolly Grip Jarrod Oswald:  “A” Camera 1st AC / Focus Puller Sarah Levy:  “A” Camera Operator John Roney:  “B” Camera 2nd AC James Madigan: “A” Camera Dolly...
Hopper Stone with the Sony A7s mirrorless camera on the set of Ghostbusters / Courtesy of Hopper Stone

Mirror, Mirror Off The Wall

Local 600 unit still photographers break down the hottest new trend in set photography – mirrorless cameras. By Pauline Rogers. Shorter working hours, tighter sets, complicated setups, and no time for compliance all conspire to make today’s unit...