The Magic Man November 16, 2023Pete Kozachik, ASC, was that rare filmmaker whose creativity and technical knowledge matched a drive for innovative storytelling. by Jimmy...
Dead Reckoning October 26, 2023Oscar-winner Erik Messerschmidt, ASC, draws a bead on the mind of an assassin in David Fincher’s The Killer by Kevin Martin...
Rise of the Machines September 13, 2023The 2023 class of ECA honorees has a lot to say about how A.I. (and other new technologies) will impact...
Drive, He Said August 16, 2023Nicolas Cage “leaves” Las Vegas in a big way, thanks to ICG Director of Photography Steve Holleran and his facility...
They’re Back! July 3, 2023In-person gatherings of HPA and NAB 2023 confirm the industry’s technology footprint has touched back down with hefty numbers and...
Anything is Possible May 25, 2023The 60th Annual Publicists Awards “gives back” love and recognition to the union members who have given everything to their...
Carmageddon March 8, 2023Sporting a distinctive visual aesthetic established by Guild Director of Photography Jay Hunter, NBC’s American Auto roars off in high...
All Things Go November 8, 2022Guild Lighting Designer Tom Sutherland on crafting the look for Nicki Minaj’s 2022 VMA performance. by Pauline Rogers / Photos...
Stars of Comedy November 1, 2022Sitcom specialists talk about how much the genre has changed in recent years. by Pauline Rogers When Donald A....
ECA 2022 Honorees September 22, 2022With COVID (hopefully) in the rear-view mirror, the only awards event devoted to new cinematographers returns to an in-person gathering. ...
Skin Deep September 13, 2022Andrew Dominik waited 14 years to get Blonde made; his new Netflix feature, shot by Chayse Irvin ASC, CSC, renders Hollywood’s...
Child’s Play September 6, 2022Director of Photography Matthew Williams leans into his long-time filmmaking partners to visualize the new Apple TV+ series, Amber Brown....
