Thanks to the steady hand of Local 600 Director of Photography Arnaud Potier, AFC, and his Kentucky-based camera team, Dead Man’s Wire is a point-and-shoot replica of the best attributes of 1970s filmmaking: daring, spontaneous, and unpredictable. by David Geffner...

How do you visualize California’s most horrific wildfire as a narrative feature? With an experienced Local 600 camera team and a director intent on mirroring the most compelling aspects of nonfiction storytelling. by Kevin Martin / Photos by Melinda Sue...

Masanobu Takayanagi, ASC, and his ICG camera team bring the raw musical intensity of Nebraska to life in Springsteen: Deliver Me from Nowhere by Matt Hurwitz / Photos by Macall Polay/ Framegrabs Courtesy of 20th Century Studios   In the...

Étoile captures the raw elegance of ballet with long takes, handmade rigs, and a crew that moves as one. The real drama? Making it all look easy. by Jay Kidd / Photos by Philippe Antonello / Amazon Content Services LLC...

America’s leading tech conferences – HPA, NAB, and Cine Gear – served up an enticing mix of new technology, while still keeping the camera department top of mind. by David Geffner / Photos Courtesy of HPA & NAB / Cine...

Netflix’s episodic reimagining of the 1981 feature, The Four Seasons, is packed with comedy talent – and plenty of expertise behind the camera. by Jon Silberg / Photos by Jon Pack and Francisco Roman / Framegrabs Courtesy of Netflix  ...

Director of Photography Adam Newport-Berra and his L.A.-based camera team help fast-track Apple TV+’s hit comedy The Studio through filmland’s treacherous (and hilarious) executive suites. by Kevin Martin / BTS Photos by Erin Simkin and Jessica Brooks / Framegrabs courtesy...

ICG Magazine says farewell to its staff writer, and the longest-running employee of Local 600’s national team, Pauline B. Rogers by David Geffner / Photos Courtesy of Susan Lewis/ Rita Friedman and Nancy Schreiber, ASC   “Did you hear the...

Kira Kelly, ASC, hits the hardwood for Writer/Director Sydney Freeland’s personal tale of hooping life on the reservation. by David Geffner / Photos by Lewis Jacobs / Netflix   The opening moments of the new Netflix feature Rez Ball, directed and...

Directors of Photography Joe “Jody” Williams and Michael Watson mix 16mm Ektachrome with 8K digital capture for the period sports/crime drama Fight Night: The Million Dollar Heist by Ted Elrick / Photos by Eli Joshua Adé, Parrish Lewis, Fernando Decillis /...

Union sustainability activists from across the industry come together at the 2024 Hollywood Climate Summit to share their knowledge – and action items. by Margot Lester / Photos by Katherine Bomboy      In late June, film and television community...