Lighting for Live Events, whether actually live or live-to-tape, now includes a range of challenges for Local 600 Lighting Designers – from the massive set ups for Robert Dickinson and the Full Flood team often encounter for The Oscars® and...
On Friday, May 2, 2014 ICG Magazine attended the 63rd Annual Maggie Awards at the Sheraton Gateway Hotel in Los Angeles, CA. ICG Magazine was a finalist for 7 awards overall. Categories won: Best Overall Publication Design – Trade (October...
It’s a fair bet that a number of ICG cover stories from recent years include mention of one of the industry’s top previsualization firms, The Third Floor. The company’s CEO and creative director, Chris Edwards, began his career in layout...
Intended as a metaphor for “the bomb” and all its attendant fallout (literal and otherwise), 1954’s Godzilla achieved no small measure of financial success throughout the world, spurring countless sequels churned out by Japan’s Toho Studios...
DIVERGENT DP Alwin Küchler, BSC by Kevin H. Martin THE WALKING DEAD DP Michael Satrazemis by Debra Kaufman WORLDS ASUNDER DP Caleb Deschanel, ASC by Pauline Rogers HISTORY OF VFX CINEMATOGRAPHY...
After obtaining a master’s in computer science and working at DARPA (part of the U.S. Department of Defense), Jim Berney entered the industry at Metrolight Studios in 1995 as a technical director. Berney then spent a decade-and-a-half at Sony Pictures...
