There never was (or will be) another artist like Aretha Franklin, as National Geographic Channel’s third season of Genius makes clear. by Matt Hurwitz / Photos and Framegrabs Courtesy of Richard DuCree / National Geographic Channel Veteran TV director Anthony...
Michael Alden Lloyd digs deep for indie gold in the new Lionsgate feature, The Quarry. by Pauline Rogers / Photos and Framegrabs Courtesy of Lionsgate “It’s a classic setup – a stranger rolls into town, claiming to be someone he’s...
Season Two of NBC’s hit drama, Manifest, challenges viewers (and the production team) to soar outside their comfort zones. By Pauline Rogers While the series is based in realism, elements often veer in different directions depending on the moments. Season...
Game engine technology is showing up all over the film and TV industry, and now it takes a bow in the world of live awards shows. by Debra Kaufman Hollywood and game engines have forged an interesting alliance. The...
On-set VFX makes a mighty return via the use of LED wall imagery on The Mandalorian, the first Star Wars live-action series for television. by Kevin H. Martin / Photos by Francois Duhamel, SMPSP & Melinda Sue Gordon, SMPSP While working on...
Sundance 2020 touches down with surprising new stories from the nation’s heartland and beyond – a cinematic tapestry of independent voices, ably supported by Local 600 camera team members. By David Geffner Featured Image from Charm City Kings by William...
A handful of Sundance alumni, including Local 600 Director of Photography Tim Orr, gather to contemporize a classic figure of American letters. by Valentina Valentini / Photos by Michael Parmalee Four out of the five directors and the cinematographer for...
Guild cinematographer Yorick Le Saux captures the “big dreams/big world” of Greta Gerwig’s new version of Little Women – a radical take on the classic novel. By Elle Schneider / Photos by Wilson Webb, SMPSP Fresh off the Oscar-nominated coming-of-age phenomenon Lady Bird,...
