Sitcom specialists talk about how much the genre has changed in recent years. by Pauline Rogers When Donald A. Morgan, ASC, first started to shoot sitcoms at Metromedia (Good Times and The Jeffersons), they were stage-bound with old Norelco...
With COVID (hopefully) in the rear-view mirror, the only awards event devoted to new cinematographers returns to an in-person gathering. by Margot Lester / Framegrabs Courtesy of Local 600 members/ECAs It’s been a minute since ICG’s annual Emerging Cinematographer...
Andrew Dominik waited 14 years to get Blonde made; his new Netflix feature, shot by Chayse Irvin ASC, CSC, renders Hollywood’s most famous starlet from the inside out. by Valentina Valentini / Photos by Matt Kennedy, SMPSP / Netflix...
Director of Photography Matthew Williams leans into his long-time filmmaking partners to visualize the new Apple TV+ series, Amber Brown. by Margot Lester / Photos by James Daniel Nell / Apple TV+ “My mom always told me there’s a...
Michael J. Pepin and his Guild Camera Team head back to school for ABC’TV’s smash comedy hit, Abbott Elementary by Margot Lester / Photos Courtesy of Warner Bros Television / ABC “The mockumentary…is generally seen as subversive, in that...
Local 600/ICG Magazine’s “Deep Dive” went live (in-person) on May 26, 2022, with the creative/crafts team behind HBO’s talked-about new series “Winning Time: The Rise of the Lakers Dynasty.” The shot-on-film, L.A.-based project enjoyed a highly collaborative workflow that marked...
Local 600 Publicists Return to an In-Person Awards Show is a Smashing Success. by Pauline Rogers / Photos by Trae Patton & Evans Vestal Ward Those most gregarious of industry craftspeople, for whom face-to-face interaction is a large component...
