With her second Primetime Emmy nomination in tow, Patti Lee, ASC, has helped to change the face of multi-camera television one shot at a time. by David Geffner / Featured image from Sean Saves the World by Chris Haston/NBC I first...
A half-century has passed since the starship Enterprise launched a technological revolution in series TV that’s continued with each new addition to the franchise. by Pauline Rogers / Photos Courtesy of CBS Star Trek Archive / CBS Interactive On September 8, 1969,...
Local 600/ICG Magazine’s Deep Dive series continues with an innovative group of filmmakers intent on (quite literally) changing the face of television. STARZ Network’s P-Valley, shot by Guild Directors of Photography Nancy Schreiber, ASC, and Richard Vialet, shines a light...
Florian Ballhaus, ASC, guides Disney +’s The One and Only Ivan through a thick jungle of live-action and virtual workflows. by Kevin Martin / Photos by Wallace Michael Crouch and Simon Mein / Framegrabs Courtesy of Disney + Art is...
Katori Hall’s new STARZ series, based on her empowerment of Black women in the Delta, reinvents film noir for a new generation. by Valentina Valentini / Photos by Jessica Miglio, SMPSP / STARZ (unless otherwise noted) In the first episode...
On June 28, 2020, Local 600 and ICG Magazine launched “Deep Dive,” a virtual panel series where we chat with the creative teams of union television and film productions. Our first panel was with the creative team behind HBO’s “I...
Local 600 Director of Photography Michelle Lawler, and her close-knit Guild camera team, help Lena Waithe create a new cinematic iconography in BET’s Twenties. by Margot Lester / Photos by Ron Jaffe / Screengrabs Courtesy of BET Lena Waithe is no...
Novelist Rodes Fishburne’s new series, Paradise Lost, for Spectrum Originals is a rich, Southern slow burn in front of the camera, and a path toward inclusivity behind the lens. by David Geffner / Photos and Framegrabs Courtesy of Paramount Network / Spectrum Originals...
Season 3 of Netflix’s rural family drug saga, Ozark, hits new visual highs (and dark narrative lows). by Valentina Valentini / Photos by Steve Dietl / Framegrabs Courtesy of Netflix When Marty Byrde (Jason Bateman) walks into an office full...
